Great Maritime Burlesque Tour 2012 – 07/05/12

Posted: 10th July 2012 by refrainmusic in Concerts
Comments Off on Great Maritime Burlesque Tour 2012 – 07/05/12

The Great Maritime Burlesque Tour, a collaboration of Pink Velvet Burlesque and Great Canadian Burlesque, rolled through town Thursday night on the snap of a feather boa.  It was a great time from the host “Rouge Fatale”, through all the dancers (from Halifax: Miss Cadence, Kitty Le Coque, Kay Licious / from Toronto: Fiona Flauntit, Tanya Cheex, Dolly Berlin) right down to Mysterion the Mind Reader!

American Burlesque, refers to performances in a variety show format which were popular from the late 1800’s to sometime in the 1940s, often in cabarets and clubs, as well as theatres, and featured comedy and female striptease. Some Hollywood films included burlesque-style scenes in the films, such as 1972’s Cabaret and lately there has been a resurgence in interest in the format some tend to call “Neo-Burlesque”. There are even large Burlesque festivals like the Vancouver International Burlesque Festival, the Toronto Burlesque Festival (which most of the performers in this show have been too) and the Miss Exotic World Pageant.

Great Maritime Burlesque Tour 2012 – Rouge Fatale!

 

Rouge Fatale started us off right from the get go in with style in her colourful “Moo-moos” and brilliant wit and took us on a fun ride throughout the evening.  Rouge, voted the best drag-queen in Halifaxfor the last four years, has a capers wit and the mouth to back it up. She is a longtime performer around Halifax and a headliner at Casino Nova Scotia.  She takes you through the evening with skill and will literally have tears streaming down your face with the parody in some of her songs.

Great Maritime Burlesque Tour 2012 – Miss Cadence

Great Maritime Burlesque Tour 2012 – Dolly Berlin

Most hear the work “Burlesque” and think it’s simply a ‘strip show”, but it’s far from it.  Each performer carefully plans out her costume down to the last minute detail, adapting it to the theme/skit that they plan to work it around.  They involve prop items, and interpret little stories as they perform, mixing in humor, fun, and a little sensual energy (one in this show even doing a skit based on the movie “Mars Attacks…complete with Alien!…played by Mysterion in a mask).  A lot of these misconceptions can have their blame laid upon amateur burlesque where a number of shows emphasis has been heavily on the ‘strip’ and far less on the ‘show’.  Tonight was a delightful soiree where I noticed that none of those performing simply stripped with little charm or flair and received tremendous audience reaction, whereas in past some performers (a term I use loosely) I’ve seen simply ‘stripped’ off their colourful outfits while the audience watched with disinterest.

Great Maritime Burlesque Tour 2012 – Kay Licious

Great Maritime Burlesque Tour 2012 – Dolly Berlin, Fiona Flauntit, Mysterion, Kay Licious, and Kitty La Coque

The resurgence of burlesque is almost staggering when you look and see how much is actually out there, a form of entertainment that many thought died in the time of tommie guns and gangsters.  It is a global form of entertainment, that is growing every year in it’s rebirth.  The show tonight simply was about entertainment and fun, with two sections dedicated to Mysterion the Mind Reader, who dazzled us with tricks of mentalism, bending silverware, and blindfolded stunts.  Rouge sang us a two wonderful songs, and the girls danced…I even saw one gal (Kitty Le Coque) do her entire act with a hula-hoop that never once stopped spinning…we even had vintage clothing and accessories being sold in the corner along with pics of the performers that could be autographed after the show.

Great Maritime Burlesque Tour 2012 – Miss Cadence

Great Maritime Burlesque Tour 2012 – Kitty Le Coque

If you get the chance to see either of these great troupes perform whether together or individually, the acts take you on a wonderful ride through the night, with humour, song and some fishnet stockings.  I highly recommend it as an alternative for adults to broaden their horizons and laugh, and just have a general all around fun time!  Until next time!

Comments Off on Chris Kirby – “Wonderizer” Album Review & Interview

Chris Kirby – Wonderizer

Album Review:

If Chris Kirby doesn’t manage to get you grooving or at least tapping your toe with “Wonderizer”, in my humble opinion, you have no soul (musically that is).  The newest release (released May 15th), the fourth album, by this Newfoundland based artist has it all, from slow heartfelt jams to up tempo wiggle your butt grooves.  When first opening the album, I was struck by the ‘old school’ style of almost a throw back to the ‘vinyl’ days when you had and “a-side and a b-side”.   The “a” side, encompassing the first six songs he calls the “greasy” side, and on the “b” side he calls this the “honey”.

The Greasy side of the album takes us through some groovin’, hip shakin’ fun that talks of things that we can all relate too.  While listening to “The Breakdown” and looking out my office window, I expected ‘Starsky & Hutch’ to rumble around  the corner in their red and white ’75 Ford Gran Torino!  This song was made for a cop show soundtrack if I ever heard one.  Also on this ‘side’ is one of my favorite’s on the disc in “All You Got” which very much has a Prince vibe too it.

On the ‘honey’ side things get a little ‘smoother’ and starting out with “My Love”, which had me thinking of Terence Trent D’Arby or Jamiroquai we know where the second half of this disc is going to take us, to the ‘sensitive’ side of Chris Kirby.  “I’m Your Man” has Kirby pining over a woman and extolling his virtues to her in a fun and upbeat way.  This half also features the album title, the single “Wonderizer” which is a catchy, finger snapper.

I encourage you all to give Wonderizer a listen, Chris Kirby is a hard working musician that plays his heart out when ever you see him live and has a blast doing it.  He loves music, respects it and feels it.  I think you’ll love grooving to this album!

Wonderizer is available on iTunes and at chriskirbyonline.com

The Interview:

RM: Do you have any other loves other than music?

Music is the only non-human entity that I love. Outside music the things that are truly important to me are my family and friends. 

RM: Who would you most like to open for?

This is a great question. I’ve been watching a lot of footage of D’Angelo and Raphael Saadiq lately, and I love the shows they put on, I would love to open for those artists.  Also, I’m not sure how much performing Aretha Franklin does these days, but she is my favourite singer of all time and opening for her would be the highest performance honour I could imagine.

RM: What’s most changed your musical life/career?

Well, you may already know that my last record, Vampire Hotel, was produced by Gordie Johnson (Big Sugar, Wide Mouth Mason). I remember our first phone conversation after I had sent him a bunch of demos. He told me that he thought I should put down the guitar and focus on the piano. I had been performing a small percentage of my songs on piano, but I fancied myself a guitar slinger.  Gordie made me realize that guitar slingers are a dime a dozen, but soul singers playing piano…you just don’t see them much any more.  I took his advice, and now my music is a little more consistent, and I have become a more unique writer and performer.  I still play guitar from time to time, but I’ve started to become known as the throwback piano guy from Newfoundland, which I am enjoying much more than I thought I would 4 years ago!

RM: How were the ECMA’s here in Moncton?  Did you discover any artists you hadn’t heard before?  Who did you enjoy seeing as a fan the most?

The ECMAs are always a fun time, and this year went a little too fast for me.  I had a lot of acts on my “must see” list, but I only got to see about half of them.  But I was lucky enough to stumble across a young singer who I can tell has a bright future,  Caroline Savoie, she is a young Moncton artist with big talent.  Her voice is great and I can see a lot of potential in her stylings. I also got to see Charlie A’Court and Kim Wempe light rooms up. I’m producing both Charlie and Kim’s recordings this year, and I was very pleased to see that their new songs are really turning heads. Lookout for these new projects coming out this year.

RM: If you weren’t singing, what would you be doing?

If I weren’t singing I would be engineering, I have a degree in Electrical Engineering.  For a long time I worked as a software engineer in St. John’s while recording and touring.  It was a very grueling period, but I had been very lucky to work for a company that understood my passion and allowed me some freedoms so that I could balance both careers. I don’t like calling it a “fall back plan” but I do take comfort to know that if I meet with misfortune in the volatile music business, my Engineering degree is sort of my ace in the sleeve.  It takes a lot of the pressure off.

RM: Do you have a favourite musical project that you’ve worked on?

I produced my brand new album, Wonderizer, and I am more proud of this than any other project I’ve worked on.  I feel like this album fully defines me as an artist, and as a human being.  I took great care to select the songs, and was quite meticulous about the production.  Self-producing was quite a challenge because there was always the danger of losing perspective, and being the authority over your dearest friends (my band) is a very delicate situation.  Luckily, we made it through the project with very little frustration. This success is due in great part to the magic that my band brings to the studio, and the talented and gracious recording engineers I worked with.  The end product has exceeded my expectations, and I am beyond excited to show it off.

RM: How hard do you push yourself?

I push myself more than most, I think, I always have.  I think I’m easily bored and I constantly feel like I should be doing something important.  Perhaps this comes from my time juggling two very demanding careers at once (engineering and music).  A perfect example is happening right now: I am in halifax producing Charlie A’Court’s album, while doing promotions for my own album are ongoing (and getting ready to tour in late June)…AND I’m preparing for another recording project which I start producing the day after Charlie’s project is completed.  Oh, and I’m in the middle of selling my house.  Some people think I’m crazy to take on this amount of responsibility at once, but I believe that when you love the work you do, time has a way of serving you.

RM: What are the five things that you can’t live without?

Five things I can’t live without… that’s a tough one. I would say number 1) is family, 2) of course is music.  The rest are impossible for me to put into order: Muppet movies, traveling, and Screech rum (ok, I can probably live without those, but life would be much less fun!).

RM: What’s your motto/advice that you live by?

No excuses, no regrets.

RM: For those that have never heard you…describe your sound?

That’s always the hardest question to answer, I would say to describe my sound, I would do better to describe my influences.  New Orleans Blues and R&B (Dr. John, the Meters, Professor Longhair) plus Motown and classic Soul (Stevie Wonder, Aretha Franklin, Marvin Gaye), Funk (Johnny Watson, Sly and the Family Stone), and contemporary Pop and Hip Hop (the Roots, John Legend, John Mayer, Mayer Hawthorne).  Also I can’t forget the heavy influence that east coast songwriters have had on what I do, I won’t even begin to name names because that list would go on for days.  That’s a pretty big variety of styles, but you can hear all these influences and more in my music.  I suppose I could sum it all up by saying that I’m a soul singer and my songs focus on deep grooves and meaningful lyrics. 

11. If I picked up your iPod, what would I find in your most ‘recent played’ list?

I recently gave my iPod away, so you’d have to ask the new owner!  But if you turned on the CD player in my van you would either find the most recent Booker T Jones album. It’s been in there for months. 

RM: What do you do in your downtime, to relax, to get away from the music business?

I don’t get much downtime, but when I do I usually head to my hometown of Norris Arm to see my parents and grandparents. 

RM: If you had to give advice to an artist on how to get their career going, what would that advice be?

My advice would be to define what you love about working in music, and tell yourself that everyday.  It’s tough, and it seems to get tougher the more you grow.  But as I like to say, it’s only hard because it’s worth it. You have to love every minute of it. 

RM: Where does the ‘funk’ come from?

I get asked this all the time, I love groove, it speaks to me as much lyrics do…sometimes more.  Somewhere along the line I recognized that funk musicians understand that better than anyone.  I try to blend funky grooves with storytelling and lyrics that mean something, but my main objective when creating music remains making peoples feet tap, butts shake, and so on.

RM: Do you have your music on iTunes, how has downloadable music changed the music industry in your opinion?

I think downloadable music has initiated a new positive music revolution.  This revolution has just started and the irony is that it’s due to the poor audio quality of mp3s!  People don’t buy CDs like they used to, and many people don’t pay for music at all. Everyone knows that this has hit record companies hard.  The good news is now we have more independent artists (including some that used to be on major labels) who are making their own rules, making the music they want to, and recognizing that to stand out they need to make products that are a cut above.  We are going to see better and better recordings, cooler packaging, and the day will come when people are excited to buy records again…and the best part is the artists will still be in charge (at least creatively), so the music will be more important and relevant on both sides of the glass…at least that’s what I see happening. 

For now, though, you can find all of my music on iTunes, and anywhere else you like buy digital music 🙂

RM: What helped shape the Chris we see today on and off the stage?

If you listen to my songs, you hear my life, I don’t leave any skeletons in my closet.  All of my ups and downs have been in my music and released on my records.  I think it’s important for an artist to have at least a hint of their more vulnerable moments in their work.  It is of course cathardic, but it also really enhances our connections with our audience.  My life experiences, triumphs and mistakes, all the people I love, those who I may have hurt, those who have hurt me, things I’ve seen, things I’ve missed, they all continue to influence my on and off-stage personality. Another big thing is my family – I try to live up to the example that my parents and my grandparents have set. A long time ago my father taught me to give my very best no matter what I’m doing, and leave no task unfinished.  I walk into every new gig or project with that in mind.

RM: Do you remember what you were doing when you decided, ‘hey, I think this is what I want to do for a living’?

I sure do remember!  I think I was in grade seven or eight and I had just started playing guitar, my Dad got me out of bed one night to watch this PBS special – it was a tribute to Stevie Ray Vaughn.  I had never heard of SRV up to this point, nor had I heard of some of the other artists on the tribute show – Dr. John, Buddy Guy, Aaron Neville.  My life was changed. I remember watching B.B.King perform “Telephone Song” and that was it.  I immediately told my Dad: “I want to do that”. 

RM: What’s your biggest pet peeve about touring/travelling to play…what’s your favourite thing?

My biggest pet peeve is when a club owner / promoter doesn’t understand his or her role.  Why would you hire someone to perform at your venue and do absolutely nothing to bring people in to see the act?  Especially when you know this is a new artist? Also, even more frustrating: if I have never been to your town, why would you expect my to supply my own door person, and why would you not mention it until I show up for the gig?!!!  Lot’s of people do get it though, and their cooperation in making the show a success is greatly appreciated. These folks know who they are because I keep coming back 🙂

My very favourite thing is seeing new corners of this planet.  Last summer I performed on the Via Rail train from Toronto to Vancouver.  Saw the Rockies for the first time from a very cool vantage point, and I met so many interesting people from all over the world, and of course I got some great stories from that trip!

RM: What’s the funniest thing that’s ever happened in your music career, so far, something you’ll never forget?

I have many funny stories from my life in music so far.  The best I can think of is the ongoing saga of Craig (Marquee bass player) and his bad luck with food service. I remember one time we were at a breakfast place in Vancouver, and he was given an omelette with a hair dead centre on top of it. He picked the hair off in the presence of our server, showed it to him, and asked for a new plate. The server took the plate, and Craig threw the hair away. We joked that the server was just going to walk into the kitchen, turn around, and take the same dish back to him. We underestimated – when the replacement omelette showed up, it had a fresh hair in the same spot!!!

RM: What’s next for Chris & the Marquee?

CK: Next for CK&M is some touring. The single “Waiting So Long” is on the radio right now, and the record is just released this month. We hit the road to support the music in late June…we will be touring th east coast the last two weeks of June, finishing up at the Stan Rogers Festival in Canso, NS on Canada Day weekend.

The Show:

Chris Kirby & The Marquee played Moncton’s “Plan B” on Wednesday, June 27th…and rocked the place. The small mid-week crowd were bopping and jumping to Chris and the Marquee’s infectious vibe that flowed through the room.

Chris Kirby & The Marquee – Plan B – Moncton, NB

The crowd, warmed up to the band almost immediately, and you realize just how much fun these guys are having playing their music. Chris even quoted my review when they launched into “The Breakdown” calling it their “starsky & hutch” song, very cool.

Chris Kirby & The Marquee – Plan B – Moncton, NB

Great album, great live show, great all around performance…I encourage anyone to get out and see Chris Kirby & the Marquee live if you can, and to pick up their great new album “Wonderizer”!

Chris Kirby & The Marquee – Plan B – Moncton, NB

Chris Kirby & The Marquee – Plan B – Moncton, NB

Riverdance – Moncton Coliseum – 06/09/12

Posted: 4th June 2012 by refrainmusic in Concerts
Comments Off on Riverdance – Moncton Coliseum – 06/09/12

Coming up this weekend at the Moncton Coliseum is one of the final North American tour stops of the world renowned “Riverdance”. I encourage you to take in this show as it will be your last chance to see this phenomenal performance.  Read below to find the interview we had last Friday with lead dancer Alana Mallon, and the official press release for the Moncton show!

Riverdance – Final North American Tour – Moncton Coliseum – 06/09/12

Contaced at her Baltimore, Maryland hotel while she relaxed prior to that Friday night’s show, lead Riverdance dancer Alana Mallon took some time out of her busy schedule to talk with me.  Answering the phone on this Sunny Friday afternoon with a chipper Scottish accent Alana and I settled in to have a little ‘chat’ about the show, dance, and what’s to come.   A very easy going and pleasant young lady to talk to, she was very forthcoming about the show, and what it’s meant to her.

Riverdance Lead Dancer - Alana Mallon

When asked what it was like the first time she stepped on to the ‘broadway’ stage only literally days after arriving in the city she told me it was scary, exciting, and daunting, that she had to learn a new number almost every night.  Alana, the only Scottish dancer ever to dance the lead in Riverdance realizes the honor she has in what she does being able to perform lead in such a memorable show all over the world.  She danced in the ‘troupe’ for three years after joining the group in 2000, and in 2003 she was asked to train for the lead which took her the better part of a year and she then went on as lead in 2004.  Riverdance actually has ‘three’ female and male leads that rotate out from the troupe to the lead role as the intricacies of the lead can be more challenging and it allows the dancers a break, “There’s not as much pressure on yourself when you’re not doing lead. You just kind of fit in with  everyone else instead of being out there on your own having to give that extra bit. You don’t feel as much pressure” by being rotated into the more repetitive characteristics of the troupe.  Alana told me that she would be dancing the lead for us here in Moncton as she usually does the weekend rotation.

I asked her what it will be like to step away from that, remembering what that first show was like, how it was scary and exciting what it will be like for her to step on stage for that last show.  She told me the main feeling she thinks she will have is that of sadness, even though the show, and the long months of touring is a challenge, that she will miss it and her second ‘family’ that the dancers in the group have become.  Speaking of the challenges we spoke of the tole that it takes on their bodies, as you will see in the show, it is very physically demanding to do what they do.  Her reply was quite frank with no glossing it over, she said that “we all get injured, at some point. We do have a physical therapist on tour with us and a massage therapist as well, so we get weekly massages. Obviously, they’re deep tissue massages; they’re not the soft relaxing kind”.   She said that her biggest problem over time has been with her Achilles, “It’s very hard because we get a lot of injuries. We have a lot of Achilles injuries, which has been my main problem.  I’ve been with the show for over 10 years, so it’s overuse more than anything. There are a lot of strains and fractures and torn ligaments. There are quite a lot of things in the company that happen.”

Her new ‘family’ help keep things light on the road with practical jokes, which she said ‘everyone’ is pulling something as some point in time, silly string on the tour bus, making the girls scream backstage (when they are supposed to be deadly quiet) with a fake mouse on an invisible string.  You hear it in her voice that there is an obvious camaraderie in the group and that they all help each other get through the rigours of touring.

Telling me her favorite part of the show is the “Riverdance number”, she like how the music builds and the scene grows, “the Riverdance number, which is just before the interval. I like the way it all starts off. It progresses. You don’t know what’s coming next, and it builds up and builds up, and at the end, everybody’s on. It’s just a nice number. The music’s nice as well.”

We’ll be able to see that number, Alana, and all the numbers this coming Saturday night at the Moncton coliseum (ticket details on the concert listings page).  I thank Alana for our little chat as she’s off to get ready for the show that night in Baltimore, and she replies with a “oh, no bother”…love the accent Alana, looking forward to the show!

Official Press Release:

LAST CHANCE TO SEE

THE NORTH AMERICAN TOUR OF

THE ORIGINAL INTERNATIONAL PHENOMENON

WILL PLAY FINAL PERFORMANCE IN MONCTON

JUNE 9 – 1 SHOW ONLY!

NORTH AMERICAN TOUR TO CLOSE IN JUNE 2012

A PHENOMENON OF HISTORIC PROPORTIONS!”Washington Post

Recently, the producer of RIVERDANCE,Moya Doherty, announced that the North American touring production ofthe internationally-acclaimed worldwide phenomenon will close in June, 2012. RIVERDANCE will play THE MONCTON COLISEUM, FOR THE VERY LAST TIME, JUNE 9 for 1 performance only! Tickets for RIVERDANCE are on sale now and range from $53.50 to $63.50 and are available at the Moncton Coliseum Box Office, any Sobeys Store locations in the Greater Moncton or Shediac areas, online at www.tickets.moncton.ca or by calling 1-888-720-5600.

When we opened RIVERDANCE in New York in March 1996, we never thought for one minute that our show would still be running 15 years later,” said Moya Doherty. “Three years ago we embarked on our farewell tour, saying good-bye to every city in North America we have ever played in over the years, and next June 17th in our 16th year this current production of RIVERDANCEwill end and  we will say our final good-bye.  It has been a source of immense pride for me as Producer that America took RIVERDANCE to its heart to such an amazing extent and I would like to pay tribute to every dancer, musician, singer and all the crew and staff who served RIVERDANCE so well over the years. “

The show that started it all, RIVERDANCE, has been performing in North America since March, 1996 when it had its U.S. premiere at Radio City Music Hall in New York. Since then, the show has tapped its way onto the world stage thrilling millions of people around the globe.

While the touring production in North America will close on June 17, 2012, productions of RIVERDANCE will continue to tour the world.

From Los Angeles to Louisville, Seattle to Boston, Chicago to Chattanooga or Memphis to Miami, the power of RIVERDANCE – its music and more than 50 stomping feet – has captured the hearts of millions.

Composed by Bill Whelan, produced by Moya Doherty and directed by John McColgan, to date, RIVERDANCE has played over 10,000 performances, been seen live by more than 22 millionpeople in over 350 venues throughout 40 countries across 4continents. They have traveled well over 600,000 miles (or to the moon and back!), played to a worldwide television audience of 2 billion; sold over 3 millioncopies of the Grammy Award-winning CD (certified Platinum in the US) and over 10 million videos making it one of the best-selling entertainment videos in the world! RIVERDANCE had its world premiere at the Point Theatre, Dublin, in February 1995, where it opened to unanimous critical acclaim.

What began as a seven-minute dance segment on the 1994 Eurovision Song Contest (televised to over 300 million people throughout Europe) and then quickly turned into a full-scale production has become much more than an international theatrical success. “I believe RIVERDANCE has been basically a pathfinder,” said Niall O’Dowd, founder of Irish America Magazine and the Irish Voice newspaper. Along with the peace process in Northern Ireland and the economic miracle in

Ireland proper, the show “has been a hugely important part of a transformation of the image of Ireland in the last 20 years.”

In a flash, RIVERDANCEbecame Ireland’s greatest ambassador and the thirst began. RIVERDANCEchanged the face of Irish dance and despite its imitators, has remained on top and was voted the #1 Variety/Family Entertainment Show in the US (1998).

There have been many milestones along the way including the distinction of being the largest Western musical to play China; a record-breaking line of 100 Irish dancers mesmerizing 85,000 people at the 2004 Special Olympics in Dublin; a 15th Anniversary celebration at Radio City Music Hall; dancing in Red Square and on the Great Wall of China, two SRO engagements in South Africa and much more.

Of all the performances to emerge from Ireland in the past decade, nothing can compare to the energy, the sensuality and the spectacle of RIVERDANCE. An innovative and exciting blend of dance, music and song, RIVERDANCE draws on Irish traditions and the combined talents of the performers propel Irish dancing and music to the present day capturing the imagination of audiences across all ages and cultures. This extraordinarily unique show features an international company all performing to the magic of Bill Whelan’s music. 

The Review:

Riverdance at the Moncton Coliseum tonight was the event we all expected, a plethora of musical and dancing talent that took us on a slow build through the whole evening to a triumphant crescendo of music, dance, and magical feet. From the beginning of the evening we watched as the performers and the musicians played off of each other, the music almost a living entity within the dancing, forcing the flowing movements of the dancers.

Riverdance – Final North American Tour – Moncton Coliseum

The show built from beginning to end on strong group performances, that featured some of the best Irish dancers you will see anywhere in the world, it featured (one of my favorite parts) a friendly ‘battle’ in the street between Irish dancers accompanied by a fiddle player and two ‘American Tap’ style dancers accompanied by a sax player.  It had a fantastic Spanish style dancer that did what appeared to be an amazing ‘paso doble’.  Plus individual performances by both the male and female lead dancers of the evening (female lead was Alana Mallon interviewed above).

Riverdance – Lead Dancer Alana Mallon – Moncton Coliseum

Riverdance – Final North American Tour – Moncton Coliseum

The sounds of Riverdance are one of the things you appreciate in the live show, not just in the music, but in the dancing.  When the ‘troupe’ is in full force and stomping out a number it’s like a tumultuous thunder rolling through the room.  When it is an individual lead, you can hear the intricacies of their foot movements one by one.  The dancing mesmerizes you, and the music carries you through a night that is filled with entertainment all bringing you to the famous ending where, like domino’s the entire group of dancers thunders a step from end to end and back again.  The crowd roared to life at many points through the evening in applause and cheers and this point was no exception.

Riverdance – Final North American Tour – Moncton Coliseum

Riverdance – Final North American Tour – Moncton Coliseum

We had a wonderful time taking in this long running spectacle that is Riverdance and encourage any of you that have the opportunity to see this wonderful show to do so before it is gone!  Thank you to Riverdance and Magicspace Entertainment for a wonderful evening of dance and music!

 

 

Rockabilly Riot – The Manhattan – 05/26/12

Posted: 1st June 2012 by refrainmusic in Concerts
Comments Off on Rockabilly Riot – The Manhattan – 05/26/12

Once again the “Rockabilly Riot” rolls into The Manhattan in downtown Moncton with it’s full bodied guitars, throw-back standards, and well quaffed hair styles…and throw in a little Burlesque to boot! Saturday night at the Manhattan, presented by Broken Chord Promotions, was the latest instalment of the Rockabilly Riot featuring Dapper Dan & The Drive-in Classics, The Whiskey Kisses, and Ginger St. James with burlesque entertainment breaks by Le Noir!

Rockabilly Riot – The Manhattan – Host Lenora LeNoire

Bringing us up to speed was our host for the evening Lenora LeNoire, looking very much the part with her brilliant blue dress and pretty flower in her hair, letting us know what we could expect from the evening.  A surprise from the previous event hosted by Broken Chord was the addition of ‘prizes’, available dance lessons, and a ‘limbo’ game that was a welcome addition it appeared from the enthusiastic crowd.   Speaking of the crowd it wasn’t just regular fans like you and I out on this night but a plethora of ‘roller derby’ gals from two local teams that rocked the night with us as well!

Rockabilly Riot – The Manhattan – Dapper Dan & The Drive-In Classics

First up was “Dapper Dan & The Drive-In Classics, from Fredericton, NB and they set the bar for the night…getting us tapping our feet and bouncing right from the get-go.  That’s one thing I’ve found about “Rockabilly” when played right, you can’t help but get moved by it.    If you don’t move to some of this music you have no soul, it can get in you and if you aren’t at least tapping your finger or bobbing your head I’d be shocked.

Rockabilly Riot – The Manhattan – Dapper Dan & The Drive-In Classics

Dapper Dan and his cohorts are no exception, taking us through some tunes even I wasn’t familiar with and some old classics (no pun intended) like some Roy Orbison and the like.  In no time the crowd was hopping onto the dance floor at The Manhattan and having a grand ol’ time.  I don’t know if it’s just me, but I appreciate a bassist that plays a classic stand-up bass, and Aaron from the Classics plays a mean stand-up bass!

Rockabilly Riot – The Manhattan – Dapper Dan & The Drive-In Classics

These guys will get you jumping, and jiving and moving all around…and you have to appreciate a band that can play a rockin’ Rockabilly version of “Sweet Child of Mine” by G N’ R!

Rockabilly Riot – The Manhattan – Le Noir Burlesque

During both breaks between bands we were entertained by Le Noir Burlesque, which everyone in attendance really enjoyed, both males and females alike appreciating the classy nostalgic feel that the burlesque adds to a Rockabilly show of this kind (just wish there was more!).

Rockabilly Riot – The Manhattan – The Whiskey Kisses

Next up was a great band from Halifax, Nova Scotia…The Whiskey Kisses.  With a female lead singer it changes the tone of the evening so far and gives us a different look on Rockabilly from the female perspective.  Playing some fun, upbeat, easy to dance to tunes…like the first group, the Kisses get you moving, I see a theme developing here…Rockabilly = Movement.  I would be crazy not to mention guitar player Fabian who not only has the most unbelievably rigid hair I’ve ever seen (which is cool, it didn’t move the whole set), but also he played the whole set with a brand new tattoo on the palm of his hand!  Crazy…and dedicated!

Rockabilly Riot – The Manhattan – The Whiskey Kisses

Last act of the night was our headliner Ginger St. James, in from Hamilton, Ontario.   Getting her start in Burlesque herself, St. James turned her focus to strictly music in 2009 and since has been on an upward climb, from winning Best Female vocalist presented by Hamilton’s View Magazine for five years running and having her songs featured on TV shows like HBO’s “Call Me Fitz”.  With the release of her new album, “Spank, Sparkle, and Growl” many more are starting to sit up and take notice.

Rockabilly Riot – The Manhattan – Ginger St. James

You can’ help but notice Ginger with her firey red hair, huge baby blue guitar, and a voice that sometimes croons to you, and sometimes growls…she and her very good band (notice the stand up bass) will get you jumping to their beats.  I was highly entertained by Ginger and her band and hope she plans on making another jaunt to the East Coast soon!

Rockabilly Riot – The Manhattan – Ginger St. James

Another successful Rockabilly Riot at The Manhattan, the next being in June (stay tuned to the concert listings page for details), I encourage you to get out, stomp your feet, sing along, and have a great time at the next Riot!  Thanks to all the bands, Le Noire, The Manhattan, and Broken Chord for another great event!  Until next time!

East Coast Music Week 2012!

Posted: 10th April 2012 by refrainmusic in Concerts, Random Musical Thoughts
Comments Off on East Coast Music Week 2012!

East Coast Music Week! 2012

 It’s East Coast Music Week!!

Various Locations– Moncton, NB – Canada – April 11-15/2012

Showcasing Acts:
http://www.ecma.ca/event.asp?section=66

Tickets:
http://ecma.com/moncton/

Great ECM Week Survival Guide (Bob Mersereau-CBC.ca):
http://www.cbc.ca/nb/mt/ecma/2012/04/ecma-week-is-here-bobs-survival-guide.html

Five East Coast Music Awards on Thursday (ECMA.com):
http://www.ecma.com/news/five-east-coast-music-awards-given-today-as-part-of-east-coast-music-week-i 

Three more awards given out on Friday (ECMA.com):
http://www.ecma.com/news/friday-the-13th-a-lucky-day-for-three-ecma-winners-as-part-of-east-coast-mu 

ECMA Gives Out More Music Awards and Honours Industry Professionals (ECMA.com):
http://www.ecma.com/news/ecma-gives-out-more-music-awards-and-honours-industry-professionals-at-east 

 Matt Anderson Leads Group of Multiple Award Winners At ECMA Gala Awards (ECMA.com)
http://www.ecma.com/news/matt-andersen-hey-rosetta-david-myles-keith-mullins-scott-macmillan-claim-m 

http://www.ecma.ca

Thursday
The first full day of the ECMA’s East Coast Music Week treated us to some great performances on the country stage, and rock stage (and Matt Anderson on the Roots stage that I couldn’t even remotely get close too for a picture, but sounded fantastic!).  The action continues today, Friday, with a ton of live music leading us into the weekend with the “Rising Star” stage, “Night Danger Stage”, and the “First Nations Showcase” added to the action.  The ECMA’s haven’t been in Moncton for over a decade, I highly recommend you getting out and checking it out…TGIF!  Get out and enjoy some music and enjoy the great talent this event has to offer!

ECMA Week 2012 - Country Stage - Francelle Maria Band

ECMA Week 2012 - Country Stage - Francelle Maria Band

ECMA Week 2012 - Country Stage - Sarah Cripps

ECMA Week 2012 - Country Stage - Sarah Cripps

ECMA Week 2012 - Country Stage - Stephen Fearing

East Coast Music Week 2012 - Rock Stage - Tim Cormier C103

East Coast Music Week 2012 - Rock Stage - Andrew Hunter & The Gatherers

East Coast Music Week 2012 - Rock Stage - Andrew Hunter & The Gatherers

Friday
The second full day of the ECMA’s East Coast Music Week ‘rocked’ on the country stage, rock stage, at the Tide & Boar, and the Molson ‘Late Night’ stage.  The action continues today, Saturday, with a multitude of performances on the last night before the gala awards on Sunday.  The rock stage was hopping last night with great acts like ‘Alert The Medic’ and ‘Gloryhound’, and Dominique Dupuis fiddled us into the wee hours over on the ‘Late Night’ stage backed up by a stellar band, I highly recommend you getting out and checking it out…”Turn It up”!  Get out and enjoy some music and enjoy the great talent this event has to offer!

ECMA Week 2012 - Country Stage - Katie McGarry

ECMA Week 2012 - Country Stage - Aselin Debison

ECMA Week 2012 - Rock Stage - Alert The Medic (these guys rock!)

ECMA Week 2012 - Rock Stage - Loud Recording of the Year Presentation:
"Shelter With Thieves" for Someday Is Never Soon Enough

ECMA Week 2012 - Rock Stage - Gloryhound

ECMA Week 2012 - Rock Stage - Gloryhound

ECMA Week 2012 - Rock Stage - The Motorleague

ECMA Week 2012 - Rock Stage - The Motorleague

ECMA Week 2012 - Rock Stage - The Motorleague

ECMA Week 2012 - Molson "Late Night" Stage - Dominique Dupuis

ECMA Week 2012 - Molson "Late Night" Stage - Dominique Dupuis

Saturday
The Saturday of the 2012 ECMA’s East Coast Music Week was the busiest one so far, with musical action all over the city’s downtown.  With a multitude of fantastic performances on the last night before the gala awards on Sunday the rock stage was hopping tonight, ‘hip-hoppin’ that is with great acts like ‘Ghettochild’ and ‘Ambition’, and Maestro Fresh Wes!   The “MIA Bash” stage, a collaboration of Music NB, Music PEI, and Music NL took  us into the early hours of Sunday …”Turn It up”!  Get out and enjoy some music the great talent this event has shown us this week!

ECMA Week 2012 - Radio Stage - Tonya Kennedy

ECMA Week 2012 - MIA Bash Stage - Ian Foster

ECMA Week 2012 - MIA Bash Stage - Chris Kirby & The Marquee

ECMA Week 2012 - Rock/Hip-Hop Stage - Ambition

ECMA Week 2012 - MIA Bash Stage - The Navigator's

ECMA Week 2012 - MIA Bash Stage - The Navigator's

ECMA Week 2012 - MIA Bash Stage - Kevin McIntyre Band

ECMA Week 2012 - MIA Bash Stage - Kevin McIntyre

ECMA Week 2012 - "MIA Bash" Stage - Two Hours Traffic

Sunday
 Sunday of the 2012 ECMA’s East Coast Music Week was going to be a full one, with it starting with a free outdoor show the city’s downtown, in the Moncton Market parking lot.  A few thousand showed up to see Kevin McIntyre, Carmen Townsend, and The Trews perform outside on one of the nicest days of this spring season.  It was a great show that was enjoyed by a multitude of age groups, even saw young lady about two to three years old dancing up a storm to the Trews down in front.  I even got to say hello to Maestro Fresh Wes who was out for a casual Sunday stroll along Main St. this afternoon, seems like a nice guy, a big smile and friendly greeting.  I encourage all of you to get out and enjoy some of the great talent this event has shown us this week!  On to the Gala Awards!

ECMA Week 2012 - Market Stage - Carmen Townsend

ECMA Week 2012 - Market Stage - The Trews

ECMA Week 2012 - Market Stage - The Trews & Tim Chaisson

ECMA Week 2012 - Market Stage - The Trews

East Coast Music Week – ECMA Gala Awards 2012
 Sunday of the 2012 ECMA’s East Coast Music Week was the culmination of a week of music, conferences, connecting and networking, with it’s final event the Gala Awards ceremony.  Where the week of events can be seen primarily for the fan, the gala, is as much for the artist, with it’s awards, performances…and of course the after party.  Below you’ll see some shots from an event that, unfortunately no longer televised, is the culmination of a superb week of live music.  I will take away some new music with me from this week, becoming a fan of a few bands I’d never even heard of before.   I encourage all of you to get out and enjoy some of the great talent this event has shown us this week!

ECMA Week 2012 - Gala Awards - Host Roch Voisine

ECMA Week 2012 - Gala Awards - Jimmy Rankin accepting Video of The Year

ECMA Week 2012 - Gala Awards - Catherine MacLellan - Lifetime Achievement Award winner performs "Farewell To Nova Scotia"

ECMA Week 2012 - Gala Awards - David Myles & Classified

ECMA Week 2012 - Gala Awards - Ben Caplan & The Casual Smokers

ECMA Week 2012 - Gala Awards - Matt Anderson

ECMA Week 2012 - Gala Awards - David Myles winner of "Song of The Year"

ECMA Week 2012 - Gala Awards - Meagan Smith

ECMA Week 2012 - Gala Awards - Tim Chaisson & Morningfold

ECMA Week 2012 - Gala Awards - George Belliveau winner of 'Francophone Recording of The Year'

ECMA Week 2012 - Gala Awards - Hey Rosetta win 'Album of the Year' & 'Group Recording of The Year'

ECMA Week 2012 - Gala Awards - Hey Rosetta win 'Album of the Year'

ECMA Week 2012 - Gala Awards - Kim Stockwood meets the Media

ECMA Week 2012 - Gala Awards - Roch Voisine, host, and winner of the 'Special Achievement Award'

 

Comments Off on Tyler Bryant & The Shakedown – Tide & Boar Gastropub – 04/05/12

When I’d heard about Tyler Bryant he was opening for Jeff Beck a few months back and I knew very little about this young guitar prodigy from Texas.  But after seeing him at that show there was no way I was going to miss this lad and his own band in all the way from Nashville, tonight at Moncton’s “Tide & Boar Gastropub”.  If you’ve never had the opportunity, which I’d had before, to eat at the Tide & Boar I highly recommend it.  With everything made in-house, even right down to the ketchup, the food is unique and just all around yummy.  With items like a twist on cheescake, with irish-cream cheescake on a stick, and “boar poutine” it’s a tasty adventure to be had.  The atmosphere is cozy, with two levels, good prompt service, and good food…another great feature is their penchant for live entertainment bringing in great live shows, including tonight’s, from all over.  This feature also garnished them a chance to be one of the live venue’s for showcasing acts at the upcoming East Coast Music Awards in about a week’s time.  I highly recommend the Tide & Boar as a place to eat and play…now on to the show!

Tide & Boar Gastropub - Moncton, NB

Tyler Bryant got his first guitar at the age of 6, and at the ripe old age of 21 he’s already been playing for 15 years, and making the most of it.  He banged around on that guitar until at 11 he traded a new motorcycle, a gift from his parents, for his first electric guitar.  While still young, he had the fortune to meet an old bluesman from Texas named Roosevelt Twitty, and he taught Tyler an appreciation for the blues.

Tyler Bryant and the Shakedown - Tide & Boar Gastropub - 04/05/12

While in high school he started to expand his musical horizons and listen to more straight up rock and roll, artists like the Rolling Stones, Tom Petty, and the Black Crowes (that themselves have a bluesy undertone). This music influenced his playing and at 17 Tyler moved to Nashville to write and play, and in the process met drummer Caleb Crosby and bass player Calvin Webster (who was celebrating a birthday of sorts on this night in Moncton).  Caleb and Calvin joined Tyler’s band, which now also includes guitar player Graham Whitford, who is the son of well known Brad Whitford of Aerosmith.

Tyler Bryant and the Shakedown - Tide & Boar Gastropub - 04/05/12

When you talk to Tyler, which I had a brief moment to do before the show, you learn that he’s just a simple guy that loves what he does, loves music.  He’s not trying to be anyone else, like the next Stevie Ray Vaughn, he’s just trying to be his own musician with his own sound that pulls in all his influences and play some straight up rock and roll music.  Having played with some impressive musicians like Clapton, Bonamassa, BB King, Vince Gill and more he’s got no shortage of influences to draw from but he still harkens to the old blues greats like Muddy Waters as some of his favorites.

Tyler Bryant and the Shakedown - Tide & Boar Gastropub - 04/05/12

As I said I’d gotten to speak to Tyler briefly prior to the show and asked him to play one of my favorite TB songs in “Lipstick Wonder Woman” which is a fantastic tune.  Not only was he kind enough to play it for me but dedicated it to me as well, which was a nice touch on his part, and appreciated (I’d hoped he’d do the acoustic slide version from his Aimeeland recording, but hey, I’m happy!).   He played a lot of songs from their current CD ‘From The Sandcastle’, songs like ‘Kick The Habit’ and ‘Shackles’ (another favorite).  They also referred to a new CD coming out soon and played a great new acoustic song from it called “My Tangerine”.  Telling stories around the songs of the boys moving to Nashville, driving across Canada in their Winnebago (and breaking down and blowing a tire in a location where no one spoke English) and having fun playing music, doing what they love, lucky guys.

Tyler Bryant and the Shakedown - Tide & Boar Gastropub - 04/05/12

Speaking of playing I have to mention the “Shakedown”, Tylers friends and bandmates who not only are great musicians themselves but at times showed that they too have serious skills with which to accompany Mr. Bryant.   The drum solo by Caleb Crosby that had him venture right out into the crowd, drumming on the wooden floor boards, amp racks, and band mates, anything his sticks could reach was a treat to watch.  Solos by both bassist Calvin Webster and guitarist Graham Whitford showed why these pieces all fit together so well.  Bryant’s many ventures off the stage and into the crowd was not only appreciated but absorbed, the crowd in awe of his skill.

Tyler Bryant and the Shakedown - Tide & Boar Gastropub -04/05/12

This show had it all, from great blues, to rock and roll, to stories, amazing solos and more.  I encourage you to get out to see Tyler Bryant and the Shakedown if you ever get the chance (help them get out of their broken Winnebago), if you appreciate strong, well played rock and roll this is the band to see.  I also encourage you to check out the Tide & Boar…I recommend the Boar Poutine!

Hopefully the next time I see Tyler perform I’ll get the chance to chat with him a bit longer (perhaps when I visit Nashville in October) and pick his brain a bit more, maybe I’ll have a new song to graciously ask him and his band to play for me from their new CD.  Either way I look forward to the next time I see him play, there definitely will be a next time!  I want to thank Tyler Bryant and the Shakedown for a great night of entertainment, the Tide & Boar for great food and great entertainment (keep it up!) and encourage all to check out both!  Until next time!

Gord Bamford & Hey Romeo – Capitol Theatre – 3/17/12

Posted: 23rd March 2012 by refrainmusic in Concerts

Tonight at the capitol we had two great Canadian country music acts in Gord Bamford and opening act Hey Romeo.  Stacie Roper, Rob Shapiro, and Darren Gusnowsky are the members of Hey Romeo and over almost the past decade, these three very talented musicians have become one of the rising star acts in Canadian country music.  Originally, Darren and Rob were playing in Gord Bamford’s band and vocalist Stacie needed some accompaniment at an upcoming gig.  Gord was kind enough to give his go for Darren and Rob to join Stacie at her show, and the beginnings of Hey Romeo were born.

Hey Romeo - Capitol Theatre - 03/17/12
Darren Gusnowsky, Stacie Roper, and Rob Shapiro

There style sparks thoughts of a multitude of artists with Roper being able to be soft when need be and belt out a tune with power to spare.  Dazzling in her festive green dress for St. Patrick’s day she regaled us with stories of the bands past and the influence of some songs on them, for example before they belted out their cover of Fleetwood Mac’s 1977 hit “Second Hand News” which got them into the Top 50 of Canadian country charts back in 2007.

Hey Romeo - Capital Theatre - 03/17/12
Vocalist Stacie Roper

Hey Romeo moved on into 2008 with a Canadian Country Music Award for Top New Talent of the Year (Group or Duo).  This talent is evident in their live performance, with artists like Shapiro who has won the CCMA for best keyboard player the past three years running.  A great group that get’s your feet tapping and you can tell that they have a genuinely good time while performing, they played a multitude of songs from their hit CD “That’s What I Am” as well as a few off their upcoming CD out in the next month or so.

Hey Romeo - Capitol Theatre - 03/17/12
Keyboards/Vocalist Rob Shapiro

I wished I could have gotten a better picture of Darren Gusnowsky (sorry Darren) but the lighting was a challenge on this night at the Capitol and he was the farthest away.  Having won the CCMA last year for “Group or Duo of the Year”, Hey Romeo shows no signs of slowing down, they provide an entertaining live show, great music, and I highly recommend if you get the chance to see them perform live to do so!

Next up, after a brief intermission and chat with Hey Romeo about Twitter (@heyromeo), thanks for the pic guys!  The lights in the lobby dimmed to let us know it was time for headliner Gord Bamford.  Bamford was born in Australia but moved to Alberta with his mom at the age of five, which I’d say still classifies him as a “canuck”.  Bamford has released four albums since his debut back in 2000 with “God’s Green Earth” sparking such hit’s as “All About Her”, “Heroes” and his first top ten hit on country charts “Blame It On That Red Dress”.

Gord Bamford - Capitol Theatre - 03/17/12

On this night Gord was having a lot of fun it seemed taking us through songs like “Day Job”, “Put Some Alcohol On It”, and “My Daughter’s Father” (which I think I saw a couple of tears in the crowd due to this song) all from his latest album from 2010, “Day Job”.   He also had a somber moment when he told a story of the loss of a family member and played a heart felt tribute to the person in question.

Gord Bamford - Capitol Theatre - 03/17/12

Having now seen Gord Bamford twice (the last time with Aaron Pritchett on the “Rowdy Boys tour”) I must say he puts on a great show that is well worth seeing.  He plays a mix of old style country with a twinge of twang and throw in some modern country with a guitar rip or two, I definitely recommend his show and his music to fans.

Once again I want to thank PPR, the Capitol Theatre, Hey Romeo and Gord Bamford for a great night of entertainment…until next time!

Brit Floyd – Casino NB – 03/06/12

Posted: 2nd March 2012 by refrainmusic in Concerts
Comments Off on Brit Floyd – Casino NB – 03/06/12

Brit Floyd - Casino NB - March 06 /12

An exciting event for rock fans, and specifically for Pink Floyd fans came to Casino NB on March 06…Brit Floyd!   A cataclysm of light and sound the Brit Floyd show is an onslaught of music that sweeps you up in it’s melodic menagerie and dances you to the end.  Newly branded, the show may be new but the players are not, all the musicians are drawn from the better known Australian Pink Floyd show which is still currently touring and has been for almost twenty years.

Brit Floyd - Casino NB - 03/06/12

Brit Floyd’s show began promptly at 8:00pm with a long melodic intro to the first song…the crowd roared in appreciation, the lights dim, the video screen came to life and the show hummed to life.   The fans of Floyd also tend to have a penchant for ‘herbs’ and took the opportunity to partake of such at this moment…like a heart monitor the video screen pounded out a beat and we were on our way.   Brit Floyd excel in their visualization and in recreating the conceptual stories that often came hand in hand with the many songs which provide a core to Pink Floyd’s albums.  Even if you have been fortunate enough to see the origina Floyd live, you will not be disappointed by the Brit Floyd show, at times closing my eyes, and feeling like I was hearing the real thing with only slight subtle nuance differences.

Brit Floyd - Casino NB - 03/06/12

Rolling through their first three songs (even though this took almost twenty minutes) I was almost thrown off enough that I forgot to take pictures at how amazing the sound on “Shine On You Crazy Diamond” was with guitarists Bobby Harrison and Damian Darlington providing a roller coaster of sound from either side of the stage.   The band was massive with the aforementioned guitarist Bobby Harrison, Drummer, Arran Ahmun, Percussionist/Saxophonist Carl Brundsen, Bassist Ian Cattell, gutarist & musical director Damian Darlington, keyboardist Rob Stringer, and background vocalists Emily Jollands, Jacquie Williams, and Ola Bienkowska.  All played a part, that took us through album after album of Pink Floyd musical history.

Brit Floyd - Casino NB - 03/06/12

 Ian Cattel and Damian Darlington have mastered the vocals of Floyd, and don’t miss a vocal beat with taking you on a journey through songs like “Mother” which left me with a jaw dropping appreciation of this group and their talent, they have mastered the timing, the intonation and sound of the songs they have chosen.  “Pigs” takes us through to the end of the first set with the inflating of a giant pig to the left of the stage, and some fantastic lighting.  Now speaking of the intermission I thought it aided in making the show a bit on the long side and perhaps if the band chose to keep it as part of the show, perhaps to shorten it by a bit.  The second set started with an a full version of “Echoes”, and when I say full I mean almost twenty minutes full.  It saw a mesmerizing vocal performance from back up vocalist Ola Bienkowska on “Great Gig in the Sky” that absolutely blew the audience away.

Brit Floyd - Casino NB - 03/06/12

The second set brought us, arguably, the three most recognizable Floyd songs in “Wish You Were Here”, which Darlington performs the vocal stunningly on, “Another Brick In The Wall”, and “Comfortably Numb” which with the aid of some theatrics (doctors smock and a big syringe, etc) by bassist Ian Cattel and the video screen brought the Floyd experience to life…the band performing all of these songs flawlessly.

Brit Floyd - Bobby Harrison - Casino NB - 03/06/12

The band ended the almost three hour night to grand applause from the greatly appreciative Casino NB crowd that brought the band back for a finishing touch performance of ‘Run Like Hell’ complete with bass player and singer Ian Cattell in biker shades and leather trench coat.  I highly recommend, if you are a Pink Floyd fan, rock music fan, hell just a music fan to see Brit Floyd if you get the chance, it’s a wonderful musical experience that will leave you wanting more…I’ll be seeing them again next time they come around!  To the band, Casino NB, and CMP Live I thank you for a wonderful night of musical entertainment…until next time!

Brit Floyd - Casino NB - 03/06/12

Paul Brandt & High Valley – Capitol Theatre – 02/17/12

Posted: 20th February 2012 by refrainmusic in Concerts
Comments Off on Paul Brandt & High Valley – Capitol Theatre – 02/17/12

Hitting the Capitol Theater on a snowy night in the middle of February comes Canadian country superstar Paul Brandt with special guests, Open Road Recording artists High Valley.  The lobby of the beautiful theatre was very busy with the anticipation of the upcoming show and it looked as though it would be a pretty much full house.   The Capitol Theatre reopened its doors in 1993 after being restored to it’s former stylings of 1921, it’s acoustics and beauty modernized, shine through today.  Off to our seats it was almost show time, and every time I walk in this regal old theatre I feel taken back a bit and am amazed something like this still exists.  It was the first time I’d been seated in the upper balcony, and oddly it felt almost dizzying and I awaited the start of the show, admiring the old feel of this beautiful auditorium.  An interesting addition to the show was showing the influence of social media in today’s musical world as you could see behind the instruments a large video screen showing “tweets” about the show (if you don’t know what tweets are, where have you been?).  Audience members could enter a ‘Paul Brandt’ contest and win a trip to the Calgary stampede, and I must say it was a neat addition to see your own tweets roll across the screen for you and all the crowd to see (@highvalley / @PaulBrandt).

Audience Tweeticipation - Paul Brandt Concert - 02/17/12

Local radio personality Shilo Bellis from XL96 kicks the night off with the introduction of Open Road Records “High Valley”.  The Rempel brothers are three young lads with a great skill set on their instruments, fantastic harmonies, and a great sense of fun onstage.  Having opened for the likes of Brad Paisley and Keith Urban these brothers from Northern Canada are really beginning to come into their own with the group having won the 2011 Country Radio Music Award for Best New Group / Solo Artist (Country) and in 2010 and 2011, they were nominated for the Rising Star Award at the Canadian Country Music Association Awards (CCMA).   To add to that list they were recently nominated for a JUNO award for “Best Country Album”.

The brothers are always appreciative of the crowd before them when they play here, and inject their show with humorous story telling and anecdotes from their life and travels.  They were even able to deal admirably with two rather ‘boisterous’ fellows that were rather raucous in their appreciation of the band (whom were later removed to applause from the crowd).  The guys rolled through all their hit singles from their self-titled debut album which had four singles in the top 25 on country radio, “I Will Stand By You”, “On The Combine”, “A Father’s Love” and “Call Me Old Fashioned”.  They also took the time to talk about a personal cause that had special meaning for them in regard to sponsoring children in impoverished countries.  The crowd was highly appreciative of the young group High Valley, who I highly (no pun intended) recommend that you check out.

High Valley - Capitol Theatre - 02/17/12

After a brief intermission it was time for our main act, Paul Brandt, to take the stage.  With a stage set up appropriate for the Capitol, featuring three large throw rugs, a multitude of candle lights, and three large ‘lava lamps’ the stage set an intimate mood for Brandt’s show.  Hitting the stage with little introduction, and launching right into the first songs, Brandt set us off on a night that would take us across decades and a worldly music career.   The “Now” tour kicked off with that very song from Brandt’s latest and sixth studio album “Give It Away” and took us all the way back to one of his biggest hits in “I Do” that he wrote for a co-worker’s wedding from his career, which came to a surprise to many, as a pediatric nurse.

Paul Brandt - Capitol Theatre - 02/17/12

He even regaled us with a few humorous stories from his time on the childrens ward, speaking of stories, that’s one thing I personally was very appreciative of, Brandt taking the time not to just play music for us; but to ‘interact’ with us.  Now some bands, all you want them to do is ‘play’, but most I’d like to ‘hear from them’, to me it makes for a more ‘complete’ show and experience…if we just wanted to hear the music, we could do that at home.

Paul Brandt - Capitol Theatre - 02/17/12

Brandt took us around the world with his stories, showed us how music is ‘universal’, how it and his guitar got him out of a tight spot in a militant country overseas.  How it has aided him in helping World Vision sponsor children, which he took some time in the middle of the show to speak about and encouraged people to check out in the lobby of the Capitol.    Taking us on a journey through his career with songs like “My Heart Has A History”, “I Do”, “Convoy” (which brought his merchandise guy on stage in a duck suit, and if you know the song you know why) and his latest single “Give It Away”.  Even joined by opening act HighValley members for a couple of his songs to the delight of the crowd.

Paul Brandt - Capitol Theatre - 02/17/12

I must remember to make a note to myself the next time I go see a performer that typically likes to wear a cowboy hat most of the time, don’t sit in the balcony or you won’t see their face much!  Brandt talked about how he loves what he does, and how he appreciates everything he has received over the years and how he’d still do it in his ‘living room’ if he couldn’t do it live anymore.  But he will have a chance to do it on a very large stage later this year when he gets the chance to celebrate on the main stage at the Calgary Stampede as the Stampede celebrates it’s centennial and Brandt get’s to fire off a million dollars in fireworks every night (who wouldn’t be excited about that!).  Closing out the night with an encore, Brandt asked the crowd what they wanted to hear, and many shouted out “Alberta Bound”, which was the final song of the night!

Thanks to High Valley, Paul Brandt, the Capitol Theatre, and Jones entertainment for another great show, and if you get to see either of these acts in your area I strongly urge you to, until next time!

Deep Purple – Casino NB – 02/04/12

Posted: 6th February 2012 by refrainmusic in Concerts
Comments Off on Deep Purple – Casino NB – 02/04/12

Tonight we have some fantastic classic rock entering our newest concert venue, “Deep Purple” live at Casino New Brunswick’s “The Center” for the first of two shows.  Oddly, this was actually the second show added in Moncton, with the first coming two days later but because of demand and a sold out show on Monday the promoter added a second show on the previous Saturday.

We started the night off with an opening act of “Gloryhound” a rock band from Nova Scotia who comprised of Evan Meisner (lead vocal/rhythm guitar), David Casey (lead guitar/bg vocal), Shaun Hanlon (drums) and Jeremy MacPherson (bass), are a tight well rounded rock band that had my brain searching for 80’s similarities that were just out of reach.  Influenced by Alice Cooper and Iggy Pop, I can see why my mind went there, and their sound backs that up.  With solid tunes like “Electric Dusk”, which I really enjoyed, smooth vocals and musicianship these four high school band mates from Fall River have something good going here.   Graciously accepted by the crowd of Deep Purple fans Gloryhound is a band to watch out for as I’m sure we’ll hear from them again.

Opening Act "Gloryhound" - Deep Purple Concert - Casino NB

After a half our set by the opener and a thrity minute break it was time for our headliner to take the stage.  Ian Paice is the only member of British rockers Deep Purple who can claim to have been in the band since day one, but vocalist Ian Gillan and bassist Roger Glover have been there for most of the bands incarnations as well.  Glover and Gillan signed on beginning with “In Rock” and in 1994, former Dixie Dregs founder Steve Morse became a member of the band.  In 2002, founding member and keyboard player Jon Lord retired from the group and Don Airey stepped in to complete the current lineup.

Deep Purple - Casino NB - 02/04/12

The band blasted onto the stage playing “Highway Star” from 1972’s ‘Machine Head’ album, which was their most successful album, and the band highlighted this album with songs like “Lazy”, and “Space Truckin'”.  The band’s various members also took turns with blistering solos on this Saturday night, the crowd most appreciative of a lengthy Steve Morse guitar solo.  As I’ve mentioned in the past, the sound in the Center at Casino NB is top notch, and tonight was no exception, with the bands music transporting us back a few decades to the seventies and eighties where heavy rock and heavy metal were essentially born.  They effortlessly flew through songs like “Strange Kind of Woman” and “Rapture of The Deep”.

Deep Purple - Casino NB - 02/04/12 - Roger Glover & Steve Morse

An appreciative crowd greeted the band tonight, not surprisingly it was mostly male which I fully expected, with a smattering of ladies throughout.  The crowd knew the music, were fans of the music, ‘got’ the music, and they showed it with multiple standing ovations throughout the night.  I had a wonderful seat on the center aisle that afforded me a great view of the performance, it allowed me to see the appreciative crowd as they absorbed the sounds.

Deep Purple - Casino NB - 02/04/12 - Ian Gillan, Roger Glover & Steve Morse

Rolling Through multiple albums like “Machine Head”, “In Rock”, and “Deepest Purple” the guys of Deep Purple did not leave the crowd wanting.  When they launched into “Smoke on the Water” from back in 1972, every person who has picked up a guitar and plucked out those first few notes felt that connection that that song brings…’duh, duh, duh’…the small and vocal crowd was ecstatic.

The sold out show from Monday is in for a treat as the show is a great time machine trip back to those days when heavy metal rock was in it’s prime, when melodic vocals and wailing guitars joined in a cacophony of sound that blasts you to a different place.  If Deep Purple is rolling into your town I highly recommend the show for fans of the era, fans of Deep Purple, and rock music fans.

Deep Purple - Casino NB - 02/04/12 - Ian Gillan, Roger Glover & Ian Paice

Once again I want to thank Gloryhound, Deep Purple, Casino NB and Paul Mercs concerts for a great night of music…until next time!